Amy Lee (Evanescence) - You (sheet music) by Amy Lee of Evanescence

By Amy Lee of Evanescence

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Tune (Mazokopaki, 2000). A strange place can dampen this interest and enthusiasm; and a strange person is regarded with very evident mistrust, even sadness and fear. I am convinced that the ‘stranger fear’ noted for 7-month-olds is a fear of seeming foolish with a person who cannot comprehend. , 2001). ORIGINS OF MUSICAL IDENTITY 31 The work and play of cultural learning The young child, like Sinbad, is anticipating companionship in adventure, and the discovery of infinitely varied customs and inventions.

Social Perception in Infants, pp. 249–268. Norwood, NJ: Ablex. E. (1990). The perception of musical patterns by human infants: the provision of similar patterns by their parents. A. C. ), Comparative Perception; Vol. 1, Mechanisms, pp. 429–459. New York: Wiley. , Schellenberg, G. and Hill, D. (1997). The origins of music perception and cognition: a developmental perspective. In I. A. ), Perception and Cognition of Music, pp. 103–128. Hove: Psychology Press. Trevarthen, C. (1986). Development of intersubjective motor control in infants.

Seoul: Seoul National University Press. R. (1999). The Feeling of What Happens: Body, Emotion and the Making of Consciousness. London: Heinemann. J. J. (1986). Prenatal maternal speech influences newborns’ perception of speech sounds. Infant Behavior and Development, 9, 133–150. Dissanayake, E. (1999). Antecedents of the temporal arts in early mother–infant interaction. In N. Wallin and B. ), The Origins of Music. Cambridge, MA: MIT Press. Dissanayake, E. (2000). Art and Intimacy: How the Arts Began.

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