Archie Comics 137 (June 1963) by Richard H. Goldwater, Frank Doyle, Joe Edwards, Sy Reit

By Richard H. Goldwater, Frank Doyle, Joe Edwards, Sy Reit

Archie Comics #137 - June 1963

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Extra resources for Archie Comics 137 (June 1963)

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Staining pigments are rich and make deep darks. ߜ Transparent versus opaque pigment: Watercolor is usually painted transparent, meaning that light actually penetrates the paint, reflects off the white paper, and bounces back into the eye. The effect is glowing, fresh, sparkling watercolor. Any pigment is transparent if you add enough water. Opaque pigments are ones you can’t see through. Some pigments are more opaque than others. Cadmiums are opaque; however, if you add enough water, they can be transparent.

The paintings you make may be gems, and you may frame a mini-masterpiece. Or they may be learning experiences that only you want to see. Keep an open mind, have fun, remember to breathe, and grow with each exercise. If you’ve never attempted watercolor, you’re in for a treat. You’ll be building new skills before you know it. Activating Your Paint Before you paint, you need to get the paints in your palette ready for painting, or as I say, you need to activate your paints. ) When paint sits, it dries out.

As a watercolorist, you don’t have that concern. Watercolor strokes don’t show because the paint lies flat. You can get several types of strokes from the same brush, and the many types of brushes can help you produce a vast array of strokes. ) a Figure 3-1: Several ways to hold your paintbrush. c b 39 40 Part I: Getting Your Feet (And Brushes) Wet Cleaning your palette The mixing area of your palette can get messy. When it’s too messy, you may not be able to mix fresh clean colors. The solution is easy: Take the damp sponge that always sits by your water container and sponge up the dirty watercolor.

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